Italian furniture brand Bross has brought one of its most recognisable designs back into production, reissuing the Piana table in a special edition that preserves the spirit of the original while gently expanding its material possibilities.

First introduced in the early 1980s, Piana has long held an important place in Bross design history. Now, the table returns as a study in structure, craftsmanship and quiet visual drama, with its distinctive timber base once again taking centre stage.

Designed by Simonit & Del Piero studio, the Piana table is defined by an intricate interlocking base made from solid wood. The design takes inspiration from Kigumi, an ancient Japanese construction technique in which architectural forms are created through precisely joined elements, without the need for nails or glue.

The result is a table that feels both architectural and refined. Its self-supporting base is composed of six elements, combining two inclined X-shaped structures with a central beam featuring a pyramidal section. These elements fit together with precision, creating a sense of balance that feels almost effortless.

Two cylindrical elements pass through the upper part of both legs and rest on the beam, strengthening the structure while adding to the sculptural quality of the base. At the ends of the beam, a subtle insert in a contrasting wood type helps restrain movement, turning a functional detail into a considered design feature.

Above this complex wooden structure sits a rectangular glass top. Available in widths of 85 or 90 centimetres and lengths up to 220 centimetres, the top has a thickness of 1.5 centimetres and softly rounded edges. Its transparency allows the base to remain the focal point, giving the table a lightness that contrasts beautifully with the solidity of the timber below.

A Reissue Rooted in Craftsmanship

The re-edition of Piana broadens the finishes traditionally available for the design. Alongside European walnut and oak, offered in natural, stained or matte lacquered finishes, Bross has introduced Canaletto walnut with a lacquered beam.

This expanded material palette gives the table a more contemporary range while retaining the warmth and integrity of the original. It also reflects the continuing relevance of timber in high-end interiors, particularly when used in ways that celebrate construction rather than conceal it.

At a time when furniture design is increasingly returning to craft, longevity and architectural forms, Piana feels especially current. It is not a table designed to disappear into a room. Instead, it asks to be noticed, not through excess, but through the clarity of its structure.

A Contemporary Classic for Homes, Hotels and Workspaces

Piana’s strength lies in its ability to move between settings. In a residential dining room, it brings a sense of quiet occasion. In a hospitality space, it offers a memorable design moment without feeling overly decorative. In an office or meeting room, its clean geometry and glass surface feel polished and purposeful.

The table’s balance of timber, glass and visible joinery gives it a timeless quality, while its Japanese-inspired construction language adds depth and cultural reference. It is a design that speaks to Bross’s history, but also to the current appetite for furniture that feels crafted, intelligent and enduring.

With its return to production, Piana is both a reissue and a reminder: great design does not need reinvention to feel relevant. Sometimes, it simply needs to be seen again.

Explore more from Bross at bross-italy.com or view the Piana collection directly at bross-italy.com/en/prodotto/collezione-piana.

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